On September 22, 2018 the New York Times reported that Anne Russ Federman, age 97, had passed away.

Anne was the oldest surviving daughter of Joel Russ, founder of RUSS & DAUGHTERS, the temple of smoked sturgeon, herring, lox and bagels on Manhattan’s Lower East Side. All three of Joel’s daughters – Hattie, Ida and Anne – worked the counter full-time beginning in their teens, with Anne starting in 1935 at age 14.

It all began with their father, Joel Russ, a Jewish immigrant from what is now Poland coming to New York City in 1907. Penniless, he started out by selling herring and schmaltz (rendered chicken or goose fat) out of a barrel on Hester Street. Soon he was able to buy a pushcart and added mushrooms and a few assorted delicacies to his budding enterprise. And finally, in 1914, he moved to a brick & mortar store that he named RUSS’S CUT RATE APPETIZERS. Six years later, in 1920, he moved the operation to its present location at 179 Houston in Soho.

So why the word “Appetizers?”

I understand that Jewish dietary laws dictate that meat and dairy cannot be eaten or sold together, nor can meat and seafood. As a result, two kinds of stores emerged: those that sold meat (delicatessens); and those that sold seafood and dairy, which came to be called “appetizer stores” – kind of like a seafood deli.

(I don’t know this for sure, but Russ & Daughters may be the last remaining “appetizer store” in New York.)

And so it was that in 1935, having no sons, Joel Russ made his three daughters full partners in the business. Thus began a long line of family generations that run the store to this day. The girls’ husbands all became part of the family business.

Third-generation operators were Mark Russ Federman and his wife, Maria. Mark quit lawyering for good after filling in as a “counter man” one week. In addition to slicing lox into paper-thin slices, Mark went on to write his reflections in a book titled The House That Herring Built. Not stopping there, he wrote and produced a film called The Sturgeon Queens, which was directed by Julie Cohen as an ode to his mother, Anne, and her sisters.

Ruth Bader Ginsburg, Maggie Gyllenhaal and Morley Safer all had cameos in the film.

Today the fourth generation is at the helm, led by Niki Russ Federman and her cousin, Josh Russ Tupper. They’ve add a New Age “wasabi flying fish roe” to the mix – as a topping for the sliced smoked sturgeon inside the bagels – but for the most part the offerings remain as they always have.

In my posting of September 15, 2016, The Best of the Wurst, I cited Russ & Daughters as one of our favorites in NYC. Check it out because it was on that visit one Saturday morning that Joanne and I stood for twenty minutes ass-to-elbow amongst the throngs of hungry Type A Lower Manhattanites just to get a bagel.

As it turned out, we ordered a lot more than just a bagel. While patiently staring at the refrigerated cases loaded with smoked mackerel and sturgeon, lox and pickled herring (some with curried sour cream), along with chopped chicken liver redolent with schmaltz and onions begging to be slathered on an onion bagel, Joanne and I both lost it.

We have a habit of occasionally pigging out and pig out we did. First, I ordered an onion bagel with smoked salmon, sliced fresh tomatoes, capers and loads of scallion cream cheese…. schmear. Then I blurted out “Gimme one of those salmon and cream cheese bagels with the salmon fish eggs on top.” Joanne, being only slightly less out of control than me, went for the sweets – ordering a Babka (a sort of yeast risen brioche-like coffee cake wrapped around a dark chocolate fudge filling); a Raspberry Rugelach, a semi-light and flaky pastry; AND an iconic New York Black & White cookie. I can’t figure it out….she maintains her weight right around a hundred pounds. Damn her.

Well, we got our overstuffed big bag of goodies only to realize that Russ & Daughters has no seating, save for two iron park benches that sit outside in the front. After another 20-minute wait for this coveted spot, we finally sat down and tried our best to ignore the stares from everyone else who wanted that seat. Screw ‘em (Joanne’s words).

You do not stay in business for a hundred years without being smart and crafty. And they were plenty smart to open RUSS & DAUGHTERS CAFÉ two short blocks away on Orchard Street. It’s an attractive, sit-down-and-be-waited-on kind of place where you can get dishes with any of their Houston Street offerings as well as complete meals such as Shakshouka, a Mediterranean dish of eggs poached in a peppery tomato stew.

The Smoked Salmon Eggs Benedict comes atop a toasted brioche. Potato Latkes (think mini hash browns) come with a savory side of sour cream and salmon roe. And there are a number of “Boards,” some with smoked salmon, others with smoked sturgeon, and always with sliced tomatoes and red onion.

Thirsty? Get a classic Chocolate Egg Cream – a drink that has neither eggs nor cream, but is concocted with carbonated water, milk and chocolate syrup.

And if it’s cold outside or if you have a cold…well, there’s always a steaming bowl of Matzo Ball Soup. I can’t recall if they have Chicken Soup. If they don’t, they should.

So there you have it…..take-out or eat-in at Russ & Daughters.

I’ll leave you with this: Mark, the enterprising third-generation operator whose son, Noah, is a physician, was quoted in the New York Times piece as saying, “As far as I know, I am the only Jewish father who was disappointed that his kid became a doctor. I was thinking ‘sturgeon,’ not ‘surgeon.’”




Around the time that the Civil War was drawing to a close, the Midwest and West were beginning to raise cattle in what soon became staggering numbers. Local processers soon found themselves overwhelmed by the burgeoning herds, and the ranchers had nowhere else to take their cattle. In response, nine enterprising railroad moguls banded together to form THE UNION STOCKYARDS in Chicago, a facility capable of processing beef from Colorado, Nebraska, Texas, Kansas and Montana.

The Union Stockyards grew and thrived for almost a hundred years and became the world’s largest processor of cattle (as well as pork and lamb).

But the most influential accelerator to the stockyards’ growth was the genius of Gustavus Swift and Philip Armour (famous meat names even today). In 1880, they successfully designed the first REFRIGERATED RAILROAD CAR (not only that, they built a nationwide ice-producing infrastructure to service the rail cars). This meant that the finest beef on the planet – midwestern beef – and lots of it could now reach beef lovers as far east as Philadelphia, New York and Boston. Check out the diagram of the refrigerated boxcar below: very clever, indeed.

Joanne and I have dined at some of the New York Steakhouses that emerged around this time and thrive to this day…the legendary OLD HOMESTEAD in Chelsea (1868); the midtown temple of meat, KEENS CHOP HOUSE (1885); and of course the one-and-only PETER LUGER (1887).

But Chicago became (and still is) STEAKHOUSE GROUND ZERO with the likes of GENE & GEORGETTI’S (1941), the nation’s poster child for traditional steak and chop houses; a place that has never wandered away from big, perfectly cooked, dry-aged prime steaks, accompanied by sides of broccoli and hash browns large enough to feed the Russian Army.

But in today’s Chicago, a number of folks are experimenting with time-tested traditional steakhouse DNA. Chicago magazine sported a cover earlier this year with the headline, ”Red Meat Revival…A new guard of restaurateurs has shaken up our list of the city’s TOP TEN STEAKHOUSES.”

We ate at a one recently: GT PRIME, situated in the River North neighborhood on North Wells between Superior and Huron.

Phil Vettel of the Chicago Tribune said, “GT PRIME is either the steakhouse you will avoid…or….the steakhouse you’ve been waiting for.”

I don’t land in either camp. I love the dependability, comfort and tradition of the Old School joints. But I also think that the “chefy” new spots now and then are relished by the best of men.

So how do you navigate a next-gen steakhouse like GT Prime?

For one thing, adjust your eyes because this place is DARK. And once you do acclimate to the moody, high-design interior, don’t waste time looking for a shrimp cocktail – or, for that matter, a loaded baked potato.

Here you’ll start with Steak Tartare capped with mustard seeds and an egg yolk, and served with house-made malt vinegar potato chips. We also ordered the Tuna Tartare, which was pretty much as we expected. But the Chicken Liver Mousse with onion petals and port gelée ($13) was deep, deliciously gamy, and smooth as silk.

Arancini (Italian deep fried rice balls) were generously laced with mortadella and pistachios…hardly Old School steakhouse fare – but appropriate in a place run by executive chef/partner Giuseppe Tentori.

What followed were two iterations of crab: one featuring sliced tomatoes layered over premium lump crab with buratta; the other a combination of avocado and eye-appealing (but not so premium) Jonah crab ($24).

Our granddaughter’s choice proved to be a big hit: Mac & Cheese, prepared with orecchiette, smoky pork belly and broccoli – perfect for adventuresome kids.

Another pasta dish, this in the snout-to-tail Fergus Henderson tradition, was Gnocchi in a “nut-free” basil pesto with morsels of deep-fried sweetbread “croutons.” I would have liked the nuts to have remained in the pesto.

We tried the GT Burger, too. I think it’s a pretty good idea to have a SIGNIFICANT burger on a steakhouse menu, and this one delivered – with onion marmalade, sundried tomatoes, porcini dust and more port gelée. We do a killer burger at MANNY’S and PITTSBURGH BLUE as a budget-friendly alternative on a night out. I wanted to compare theirs with ours. Both are good.

Shishito Peppers and Sweetcorn with Lime and Parmesan, as well as Charred Broccoli with Fried Prosciutto and Maple Butter proved to be worthy sides in keeping with a new age steakhouse.

This IS Chicago, however, which means you can’t abandon the steakhouse workhorses. One of our diners pronounced the Bone-in Ribeye worthy of any steakhouse. The Venison Steak, though perfectly cooked, didn’t fare as well – too chewy. But that’s venison.

The biggest hit was called THE CARNIVORE. A flight of four different 8-ounce cuts served sliced, it showcased a top-notch Beef Filet, Venison, Bison and American Wagyu. It cost a whopping $230, though it’s meant to be shared and it is, after all, two pounds of boneless meat, so maybe $230 is about right. It comes with a SERIOUS STEAK KNIFE…really SERIOUS.

The dessert Cheese Platter and a little-too-pretty-for-a-steakhouse Crème Brulée rounded out our evening.

So did we enjoy it? Hell, yes. Would I go back? SURE. I was amused and in many respects impressed. As a diner, I gravitate toward the Old School steakhouses, but as an operator, it’s essential to experience the cutting edge, and GT Prime is as sharp as any of the New School joints.




We arrived at the incredible Milano Centrale Stazione around noon. It’s the largest train station in Europe (by volume) and the light from the gigantic, glass-covered, steel-arched dome naturally illuminates the vast interior. It is clean and pure.

What’s not so pure is the exterior design. Built in 1931 under Mussolini, the grandiose façade can only be described as Monumental Fascist Architecture. Wretched excess! Things did not start well. We caught a taxi in front of the train station, loaded our luggage, got in and told him we were going to the Hotel Gallia. He swore at us and tried to get us to get out of his cab. It turns out that our hotel was just across the street, and I guess that he had been waiting in line…perhaps for hours. But he delivered us. I tipped him well. But he still stuck out his tongue out and gave us a hand gesture (the Italian salute) while pulling way.

(I’ll never forget the look in the hotel porter’s eyes as Joanne answered back with a spirited “Vaffanculo!”)

Welcome to Milan, folks.

Now, the city is not as big Rome, or as beautiful as Florence or Venice. No romance or quaintness here. Milan is harsh, gritty and urban – truly Italy’s industrial capital. But change is afoot. In a recent piece in the Wall Street Journal, Andrew Farren writes, “As Italy’s undisputed capital of fashion and design…Milan is transitioning from gritty and gray to gorgeous and green.”

Maybe give it five years.

In the meantime, savor Milan’s timeless assets, like Santa Maria Nascente (commonly referred to as the Duomo) – the Italian Gothic cathedral frequently dubbed “The Birthday Cake.” Begun in the late 1300’s, it took nearly 600 years to finish and today is the second largest cathedral in Italy, after St. Peters in the Vatican.

Just to the right of the Duomo sits the Galleria Vittorio Emanuele Due, Italy’s oldest active shopping mall, and perhaps the first enclosed shopping center ever (sorry Southdale). Built between 1865 and 1867, it’s perhaps most notable for its immense roof’s four intersecting barrel vaults of iron and glass (the ribbed glass supplied by Saint-Gobain …still in business today). And today, how many American shopping centers incorporate the name “Galleria?”

Leonardo’s Last Supper, one of the world’s most recognized paintings, is housed a ten-minute lite-rail ride from the Duomo in a small church called Santa Maria Delle Grazie. I always thought that the painting was a fresco, but I’ve since learned that Leonardo painted it on a dry wall that he first coated with white lead paint to increase the luminosity. The intimate setting of the iconic painting allows one to get up close and personal.

Another must-visit: PECK, the Italian temple of gastronomic delights, located two short blocks away from the Duomo. You can spend hours strolling the floors, salivating over displays of prosciutto hams; two-inch-thick porterhouse slabs (soon to become Bistecca Fiorentinas); jams and jellies; just-caught seafood, including lobster tails encased in gelee at the deli; and countless beautiful pastries. Oh, yes, I almost forgot: The downstairs wine cellar is probably the largest, broadest and deepest in all of Italy.

That all brings us to our surprise discovery of SOLFERINO RISTORANTE, now one of our all-time favorite traditional restaurants in Italy. This little gem resides in the less touristy Porta Nuova, adjacent to Milan’s famed design district, where three streets come together: Via Marsala, Via Solferino and Via Castelfidaro.

Let me tell you about our dinner. The menu teems with Northern Italian classics, one foot rooted in tradition, the other foot kicking it forward. SWEET.

As expected, our dinner began with Italian bread…..served in a paper bag. The wit of serving bread in a paper bag did not disguise the bland and tasteless unsalted slices that populate all too many restaurants in northern Italy, but the focaccia course made up for it. High in gluten, moist and pleasantly chewy, it was delightfully salty and brushed with a fruity olive oil.

From there, the hits just kept on coming.

The pristine Crudo, for example, didn’t smell like fish. It smelled fresh, like the ocean. That was followed by an antipasti of Grilled Octopus paired with righteous slices of Grilled Porcini Mushrooms – an odd pairing, but a delicious one.

Then our server approached our table sporting a platter of just harvested summer mushrooms called “Funghi Alla Uova” (egg mushrooms). I’d never had them before, but I became a believer when they soon appeared in an impressive allotment crowning a salad of just-made creamy Burrata.

Two new appetizers appeared next: a smooth and silky Artichoke Flan and a smoky Eggplant Terrine.

Spinach Gnocchi tossed with Stracchino Cheese and dusted with Toasted Pistachios and Parmigiano Reggiano Cheese grated fresh at tableside was a winner.

Since here at Parasole we own three steakhouses (two PITTSBURGH BLUES and, of course, MANNY’S), we are continually monitoring the best steakhouses around the country and around the world, looking to see if we can learn something to ensure that we stay on top. Solferino serves up a hearty, unabashedly carnivorous cuisine.

No surprise: We ordered the Bistecca Fiorentina – a three-finger-thick block of cow. And not just any cow, but the premium Italian breed known as Chianina, expertly seasoned and fire-grilled, then brushed with a sort of rosemary gremolata. Does anybody with half a brain not love a perfectly prepared steak? Well, I guess my daughter, for one (what did I do to have a vegetarian for a child?)

Desserts couldn’t have been more satisfying, particularly the flaky Millefeuille with Chantilly Cream.

But now we are going to talk Risotto – the mother of ‘em all, the specialty of Milan: RISOTTO MILANESE.

When my partner, Pete, and I attended Marcella Hazan’s cooking school, one of our classes was devoted to Risotto Milanese. Now, understand: Marcella did not take prisoners. You made it her way, and ONLY her way…or else.

So we faithfully “toasted” Arborio Rice in loads of butter, then added chopped pancetta (Italian bacon), shallots, chicken broth, a little olive oil and saffron threads steeped in hot chicken broth. Bone marrow was optional. After stirring continually for about twenty minutes, we added a generous handful of freshly grated Parmigiano Reggiano cheese to the pot and were directed to serve it in shallow bowls (to prevent cooling too quickly)…but never, ever on a flat plate. Makes sense. It was creamy, toothsome, cheesy and delicious.

Well, at Solferino, they take a slightly different path to risotto nirvana. First, instead of Arborio rice, they use the Carnoroli variety because, they claim, it retains the structure of the kernels better than Arborio. Neither do they permit shallots or onions or pancetta or olive oil. Moreover, chicken broth, beef broth and bone marrow are never to be used. These folks give “purist” a new meaning. The only liquid allowed is vegetable broth because it does not get in the way of the saffron and the Parmigiano Reggiano. So their recipe is this simple: rice, butter, saffron, vegetable broth and a tiny bit of salt to taste. Plus, of course, the cheese.

Some information and valuable tips to you cooks out there who want to make Risotto Milanese at home…

“Toasting” means sautéing the rice in butter for three or four minutes, helping each kernel to absorb the butter without becoming soggy. And don’t skimp here: Use a premium butter with a high butterfat content like Kerrygold or Organic Valley. Be generous with the saffron – really generous. Steep it in a cup of hot broth for about 30 minutes. Yes, saffron is hellishly expensive, but if you take the low road, you’ll lose big time and miss its uniquely fragrant, concentrated flavor as well as the vivid color.

(A digression on the cost of saffron: It’s the tiny dry thread from the crocus flower and is painstakingly harvested by hand – one thread at a time. THAT’S why you’ll probably spend twenty bucks or so on SAFFRON.)

At Solferino, we had not only a plate of Risotto Milanese, but also the iconic, rib-sticking Osso Bucco, a braised, juicy and yielding, fall-off-the-bone veal shank, always delightfully paired with Risotto Milanese.

Oh…BTW: Wondering which of the competing recipes is best? They’re like wool and silk. Neither is better than the other; both are different, and each is terrific. Over the years I’ve probably sampled dozens and dozens of different iterations of the dish – and the WORST I’ve ever had was ABSOLUTELY WONDERFUL!!!




This past summer Joanne and I took a food fact-finding trip to Germany.

After all, this fall, SALUT will do a major promotion on Alsace Lorraine, the region of France that borders Germany. We’ll celebrate the classic Franco/German dish, Choucroute, and of course Apple Strudel, as well as regional wines, namely Reislings. And I’m sure you’ll agree: It would have been irresponsible of us not to conduct some firsthand research.

Answering the call of duty, I cleared our schedule and booked a trip to…Munich and Bavaria (not exactly Alsace Lorraine, but close enough).

After researching and triangulating Munich’s most representative restaurants, we landed on a great one in the heart of the city: SPATENHAUS.

A property of the Spaten Brewery, situated directly across from the Opera House, it’s a Brunhilda-sized restaurant…. two floors, each with grand dining spaces. The classic, casually styled first level, where we ate, is right out of central casting for a traditional German restaurant. It features only Bavarian food, and the all-female serving staff is dressed in Dirndls (the traditional feminine dress worn in Austria, South Tyrol and Bavaria). The second floor, on the other hand, has two large dining rooms that are much fancier with menus featuring more haute, culinary diverse, and I might add more expensive, dishes.

That wasn’t for us.

Comfortably installed in the large, but comfortable street-level dining room, we began our meal just as you’d expect: with a bread basket of giant soft pretzels and two enormous steins of beer. Appetizers also featured Beer Cheese Soup for pretzel dipping (and diner, beware – the bread spread might be lard! Tasty, TASTY lard).

Joanne started off with the Seared Goat Cheese, while I had the Spaetzle – dense little German noodle bites loaded with cheese and bacon, and generously topped with crispy fried onion straws.

Schnitzels abound…from the Classic Veal Weiner Schnitzel to a similar thinly pounded and breaded Chicken Schnitzel, followed by a pork version with mushroom sauce titled Jaeger Schnitzel. The mother of ‘em all is, of course, Schnitzel ala Holstein: breaded veal garnished with a fried egg, capers and anchovies.

An array of Teutonic treats followed, including a toothsome rendition of Roasted Bavarian Duck and Zweibelrosbraten, a strip steak showered with deep-fried onion straws and a hearty brick of Kartoffpuffer, a close kin of our hashbrowns (similar also to the Swiss national side dish, Rosti). However, even though German recipes call for the shredded potatoes to be fried in butter, I think that these were fried in duck fat, butter’s big brother (no wait, marrow is butter’s big brother. Duck fat is butter’s first cousin).

As good as all this was, one has to reckon with the fact that German food is HEAVY. It’s CALORIC. It’s BIG. It revolves around pork & beer, pork & beer, and pork & beer.


Traveling through Bavaria, you’ll experience perhaps the best sausages of your life and pork treated to as many delicious variations as your taste buds and stomach can stand. A national dish that we enjoyed and sampled often was Choucroute Garnie – sausages, weenies, smoked ham, sauerkraut and steamed new potatoes, all served up with thick and grainy, potent Germany mustard (just wait ‘til you try it at Salut this fall).

Time for A CARNIVORE’S DREAM: Schweinshaxen, or pork shanks. This is a tough cut that demands a long, slow braise or, better yet, a few hours on the rotisserie, allowing the decadent outer pork rind to develop into crispy, fatty, addictive cracklings that encase the entire shank. It’s fall-of-the-bone hearty, with a deep porky flavor, and is fatty as hell. But as we all know: FAT IS FLAVOR.

The restaurant HAXNBAUER seems to be the rotisserie gold standard for Crispy-skinned Schweinshaxen in Munich, but the one that I had at Spatenhaus was as good as I’ve ever had. It came with steamed root vegetables as well.

Apple Strudel is a must. Spatenhaus does it well…very well. Don’t bother with anything else.

A final thought: If you should eat your way through Germany as we did, be prepared and understand that a pair of sweatpants awaits you when you return home. German food is NOT POLYUNSATURATED ANYTHING!!!

So my advice is to go with the flow…and EAT HEAVY…but DRESS COOL!!!



It’s a long flight.

Fourteen hours and three movies long.

But once you arrive in Sydney, you’ll quickly forget the confinement and monotony (if not the agony) of a trans-Pacific flight from Los Angeles.

For Joanne and me, Australia may be a once-in-a-lifetime adventure. But what an adventure it was.

So if you go, here are a couple of important tips.

First, if budget allows, book yourself into THE PARK HYATT. And don’t just book any room: BOOK ROOM #112. Check out the view from our window of the Sydney Opera House at dusk, and again when dramatically illuminated at midnight. Every night was a different show.

Second, Joanne and I spent a few hours every day strolling the spectacular BOTANIC GARDENS, a green oasis right in the heart of the city. While soaking up the lushness of it all, we were both able to clock several thousand healthy steps on our FitBits.

However, the benefits of our daily exercise were neutralized every night by our divinely decadent dinners – the best of which was at EST. (spelled “est.”, but screw that; names should be capitalized). It’s located on the second floor of THE ESTABLISHMENT HOTEL overlooking George Street in the middle of the Central Business District.

EST. is a splurge restaurant – not in the league of, say, an Alain Ducasse restaurant in Paris, but you should still expect to pay at least $250 (US) for two with a modest, but good, bottle of wine. However, the prix fixe lunch is a bargain at around $40 per person with a glass of wine.

The handsome dining room dazzles with high reaching white Grecian columns and crystal chandeliers that twinkle and sparkle. The effect is luxurious, but not stifling, and the soft but theatrical lighting throws a flattering glow on all diners. Double-clothed tables and discreetly eager servers set a professional tone, yet one of ease and comfort. Joanne and I watched as tables were served by “masters of the swoop”…where all guests at the table are served simultaneously by an army of servers. At MANNY’S we call it “gang service.”

Another important tip: If there are two of you, request table #90 in front of the oversized French windows overlooking George Street.

The EST. kitchen is seasonally driven under the watchful eyes of Chef Peter Doyle, whose beautifully orchestrated dishes combine “Modern Aussie” with French technique.

Joanne and I went there looking for ideas and inspiration for both SALUTs, but, alas, we didn’t find much that directly applied. It was at once obvious to me that Doyle’s plates – each a sensory knockout – all involved very expensive ingredients and time-consuming labor steps that would send Salut menu prices into the stratosphere.


We began by sharing six briny fresh oysters from Tasmania. Next I ordered Duck Foie Gras with grilled rhubarb, caramel nougatine and crispy, seedy flatbread. Joanne, having none of that, opted for a beautiful starter of local Spanner Crab with kohlrabi, a citrusy/garlicky yuzu kosho, and I believe a garnish of nasturtium leaves on top.

Both dishes proved to be culinary catnip for what was to come: BUGS! MORETON BAY BUGS! What the hell are those? After all, the creatures scuttled their way into several menu offerings, in several iterations.

So I asked.

Our server returned to our table in seconds with an uncooked “bug” on a plate. It looked a little like a flat lobster without claws, and is apparently unique to Australia. He also brought two books from the kitchen explaining the difference between a Moreton Bay and a Balmain bug.

Of course I had to order one…and I certainly was not disappointed. It was just as firm and flavorful as lobster or langoustines, and the preparation — with yuzu curd, finger lime, baby cos (a type of lettuce) and macadamia nut “dust” – was a stunner.

Joanne found herself torn between the Grilled Scallops with parsley-shallot puree, potato wafers, pickled onion and black truffles, and the Murray Cod Filet with shaved abalone, snow peas, ginger, black mushrooms and green shallot vinaigrette. She chose the cod – and loved it.

So I’m only slightly embarrassed to say that because the scallops and black truffles sounded so good, I caved and ordered the dish as a third entrée. I simply had to see it and taste it. And it was worth it! OINK!

Because our food was so good and artfully plated, I made a point of wandering the dining room and looking at what other diners were having. All – and I mean ALL – plates were beautiful and unapologetically decadent. Although I couldn’t identify exactly what each and every dish was, my memory coupled with another look at the menu enabled me to identify a few of the game offerings, including Roasted Quail with foie gras, nectarine and champagne jelly, and slow-roasted Venison Loin with coconut-dusted black cherries.

Dessert did not disappoint either. A light-as-air, yet potent, Passionfruit Souffle was perfect to share, as was the Coconut Sorbet masquerading as husky coconut shells, accompanied by passionfruit curd.

So make a note: if you go to Sydney, do not pass up EST. The food thrills, the service coddles, and the room glows. As Myffy Rigby of Time Out Sydney stated, “The entire experience is consistent…assured…and simply represents straight-shooting excellence.”

G’day Mate!




For America’s burgeoning restaurant industry, the 1950s and ‘60s represented the essence of cool – especially in our largest cities, where prospering populations savored culinary indulgences unheard of during the “Meatless Tuesdays and Fridays” of World War II.

Manhattan had the OAK ROOM, DELMONICO’S and the STORK CLUB. Celebrities flocked to the BROWN DERBY at the corner of Hollywood and Vine in Los Angeles. And all of Chicago vied for a seat (preferably at the coveted Booth #1) at the swanky PUMP ROOM, located in the Ambassador East Hotel.

Polished brass and mahogany trolleys were wheeled up tableside by captains and maitre d’s who could slice and dice with one hand, and flambée and serve with the other. They’d debone your Dover Sole, then return later to ignite your dessert ¬– perhaps Crepes Suzette, Cherries Jubilee or Bananas Foster.

No chef of that era was more celebrated than Pierre Franey of LE PAVILLON (regarded as the finest restaurant in America). Nor was any dish more celebrated than his signature STEAK DIANE, a New York Strip doused with brandy and set aflame tableside. To ensure consistency and speed of reparation, the steak was flattened before cooking. And along with the brandy, it gained extra flavor from butter, veal stock, French mustard, chives, heavy cream and a dash of Worcestershire sauce before the pyrotechnics.

As I was thinking about this post a couple of months ago, to my surprise one Saturday morning the Wall Street Journal published a piece by Charlotte Druckman praising this one-pan dish as “simply delicious.” On top of that, just a couple of weeks ago Mark Bittman of the New York Times shared his recipe for Steak Diane.

Does this signal a revival? I hope so….

Jane Nickerson, a writer for the New York Times, said in 1953 (yes, in 1953) that New York had three possible sources for the origination of STEAK DIANE: the restaurant at the SHERRY NETHERLAND HOTEL; THE COLONY restaurant (where Jackie O. hung out); and THE DRAKE HOTEL at 56th and Park avenue.

Pierre Franey weighed in on the discussion and credited Beniamino Schiavon, known as Mr. Nino of the Drake, as creator of the dish while working in Belgium. I guess that’s why Steak Diane has only a vague French pedigree. However, its fancy French spirit certainly added to the allure.

As the iconic Café Society restaurants began to fade, so too did the tableside theatrics for which they were known. Rents were soaring in places like New York, and restaurateurs reacted by cramming in more and more tables – erasing the avenues for dining room trolleys. By 1970, Steak Diane had essentially disappeared.

The 21 Club on West 52nd St. in New York is said to be the last holdout, but it too threw in the towel in the late ‘80s.

To paraphrase the Journal … “Diane, we hardly knew ya”.

Now might be a good time to talk a little about the dish itself, which is surprisingly easy to make at home. After all, it’s a one-pan affair. And you just might find yourself ahead of the curve in rekindling this old flame at your holiday parties. Note that most, but not all, recipes call for New York Strip Steaks. Others tout Filet Mignon (although you will have to butterfly it). Either works, but both should be of the absolute highest quality.

The steaks need to be pounded thin to break down the fibers and insure a quick sear. The igniting of the brandy intensifies the flavors of the finished sauce by caramelizing the sugars. YUM. Mr. Nino of the Drake is said to have proclaimed, “This is the perfect sauce for the perfect steak.”

BUT WAIT! Is it really possible that Steak Diane is making a comeback?

I’m told that the 21 features it on their menu from time to time. ALLORA on East 42 St. has it on their permanent menu. Keith McNally, perhaps New York’s best restauranteur, proudly serves it at MINETTA TAVERN. BRENNAN’S in New Orleans has never stopped and still prepares it tableside.

And finally, who could be more on-trend than Ralph Lauren, whose immensely popular and beautiful restaurant, RL Grill, on Chicago’s Gold Coast, features Steak Diane as a signature item.

All this has me wondering: Did the Twin Cities have its own Café Society? Did the BLUE HORSE serve Steak Diane? How about THE CAMELOT? Or GANNON’s in St. Paul, where Liver Steak and Onions was a staple among its supper club set.

In Minneapolis, the BIG THREE back in the ‘60s and ‘70s were HARRY’S CAFÉ, MURRAY’S and CHARLIES CAFÉ EXCEPTIONALE. Did any of them give it a shot? I don’t know.

One thing I DO know: Julie Child and Jacques Pepin share the recipe for Steak Diane in the recently published Cooking at Home. And as you probably know, each and every week SALUT features a different Julia Child recipe as part of its “Dinner With Julia” Monday night special.

Is there a Monday night Steak Diane in Salut’s future? STAY TUNED!




Italians embrace mercurial politicians, but when it comes to restaurants, they’re a nation of Rockefeller Republicans – prizing tradition and voting for continuity. Nowhere is this truer than in Florence and Tuscany, where restaurant menus can seem interchangeable. That’s fine with me. I can’t argue with the likes of Papa di Pomodoro, Ribollita, or the obligatory pre-meal antipasti (particularly Chicken Liver Crostini). Nor do I have any quarrel with Chianti or Super Tuscan wines. And when Porcini Mushrooms are in season…well, you know.

And who can turn down the iconic Bistecca Fiorentina?

Not only do the menus hew to tradition, the flavor profiles fall within a fairly narrow range, and wherever you go plating tends to be honest and straightforward, without a lot of flair.

But after several evenings of eating the same sort of stuff, Joanne and I needed a counterpoint. And we found it at the BORGO SAN JACOPO.

Now, folks: Write this down.

As you cross the Ponte Vecchio to the south and take an immediate right, you’ll come to the HOTEL LUNGARNO, one of the best in Florence and home to this fantastic restaurant.

Reserve well in advance and request one of the four – yes, only FOUR – coveted tables on the tiny terrace overlooking the Arno, directly across from the Ponte Vecchio. These four tables – Numbers 12, 13, 14 and 15 – may be the most romantic in all of Florence.

The restaurant is owned by Ferragamo and the Michelin-starred kitchen is under the command of the acclaimed chef, Peter Brunel. The place is not cheap. But neither is it a rip. Prices fall right in line with similar spots in Minneapolis and other cities.

I had read about Peter Brunel’s creative plating and because we were in the process of designing SALUT’s fall menu, I wanted to see what he was up to and just what might apply to SALUT. Dinner will be special. Peter Brunel won his first Michelin star at the age of 28 when he helmed VILLA NEGRI ristorante in Vincenza. The youngest Italian chef ever to do so, Brunel winks at Tuscan traditions, transporting familiar dishes to innovative and unexpected dimensions, sometimes involving a bit of molecular gastronomy.

I don’t quite know how it happened, but Joanne and I managed – as walk-ins – to snag one of the four tables on the terrace. WHEW! And WOW !

The show began with an amuse bouche of two small glasses of refreshingly cool raspberry/orange foam generously invigorated with gin. The glasses “bookended” what appeared to be two rather large olives. Fooled me! They turned out to be Baby Peaches (yum) soaked in Campari (double yum). To offset the smoothish texture of the foam, a fry basket of homemade crispy Corn Chips rode shotgun.

Among the appetizers, Joanne loved the baby prawns with cherry tomatoes, mozzarella, capers, fresh herbs and lime, enlivened in a bright and cooling, intensely flavorful tomato broth. It was called Prawns and Caper Caprese.

Because it was a warm summer night, I chose a cooling appetizer as well, one plucked from the eight-course, prix fixe ALL POTATO MENU. It consisted of two small vessels of cold potato velouté – one iteration with hen eggs, the other flavored with a little pop of lake trout eggs. The dish was called Duet of Cold Potato Soup with Lake and Land Eggs.

BTW….the All Potato Menu also featured Potato “Spaghetti” Carbonara – the “spaghetti” being made entirely out of potatoes. That’s molecular gastronomy coupled with a dose of chemistry.

It was about at this time that I had to intervene with the pace of the service and ask (Joanne said I “told”) our server to slow down. We were being rushed. In a well-run dining room, our server would have said, “I apologize Mr. Roberts. I want this to be the most pleasant meal you have ever had in Italy and I will certainly assure you that you won’t feel rushed.”

Instead she replied, “Well, it’s 7:30 already and we’ve allotted you two hours to complete your dinner. We need this table at 9:00.” Needless to say, I asked for the manager, who turned out to be polite, contrite and embarrassed about the server’s “bedside manner.” He told us that the table was ours for the entire night if we chose, and he assigned another, more gracious, server to our table.

Let me stop a moment to say, as an operator, that I understand the focus on table turnover. But that’s my problem, not the diner’s. Guests should never feel rushed. And if they specifically ask you to slow down the service, you don’t exacerbate the problem the way our server did – you go into damage control mode the way the manager did.

Back to the meal – and the steady flow of wit and whimsy as evidenced in Joanne’s second course: a Risotto that infused Arborio rice with apple water, horseradish, vin santo (sweet dessert wine), raspberries and, of course, Parmigiano Reggiano.

One of the other tables ordered an intriguing dish that our server explained to us was risotto with red cabbage jus, trout roe, black truffles and a generous grading of Parmigiano Reggiano. WAIT A MINUTE!!!! I thought cheese was NEVER, EVER to be grated on a dish with seafood. SCREW THAT. I bet it was delicious!

Oh, and speaking of surprise and delight, Brunel serves his Risotto Pomodoro in a kind of Campbell’s Soup-like tin. I really admire witty plating like that, especially in fine dining restaurants where it’s important to show that you’re not too tightly wound. Being precious and full of yourself is not the recipe for your guests to have a fun and relaxing experience. Let’s remember: It’s JUST A RESTAURANT. We’re not curing heart disease here.

Among the pastas, we also tried a Wild Boar Ravioli (very Tuscan) prepared with “Cinta Senese Acid Butter” (not-so-Tuscan-sounding). It turns out that Cinta Senese refers to a local Heritage breed of pig known for its abundance of fat, and the “acid butter” in the ravioli isn’t butter at all – it’s old fashioned fatso goodness: LARD!

Main courses were indeed very, very pretty. And both of our selections were very, very good as well.

Bite-sized beauties of pink veal with a sauce of potato and veal jus were plated with just-picked cherry tomatoes and a scattering of caper leaves. Portions were small, but rich and nuanced as only veal can be.

Joanne, of course, will not go near veal. She opted instead for Bresse Rooster in two different cooking techniques: breast and leg with parsnips, onions, snails and saffron cream (I did not know that France was permitted to ship Bresse chicken to other countries – certainly not the U.S.) But if the pedigree of the chicken surprised me, the flavor did not: it was spectacular.

We forged on to dessert, including Apple Strudel and Chocolate Lollipops. They were very good – but I wished we had ordered what the table next us had: a finger food presentation of six white and six dark chocolate truffles laid out on a checkerboard plate. A THING of JOY!

I was taught not to play with my food. Thank God Chef Brunel did not get the message!




If any of you folks have plans to travel to Italy, here are some tips – maybe even RULES – that may be of some help.

First: Ladies, NEVER wear a TANK TOP to St. PETER’S…or shorts or anything skimpy for that matter. And men, no shorts for you either.

Second: In Italy, coffee etiquette is somewhat different than at Starbucks. Cappuccino is NOT to be consumed after noon. Because of its sweetness, it is considered a morning or breakfast drink, and legend has it that the reasoning not to indulge with lunch or dinner is that the milk in the cappuccino interferes with digestion. Hmmm….fact? Or a bunch of hooey?

And then there’s the bread, particularly in Rome and Florence: MORE RULES.

Bread is not a pre-meal snack. It’s okay with your antipasti and your secondi (main course). But never have bread with pasta. Starch with starch is a no-no (behave and you will avoid the dreaded sneer – and perhaps a nasty hand gesture). And remember, Italians consider it bad form to drizzle olive oil on your bread – and never, ever balsamic vinegar (However, just as way too many Italian restaurants have caved to American whims and wishes, may restaurants now automatically bring olive oil and vinegar with the bread service).

But there are some exceptions. If the bread has been grilled in the kitchen and seasoned with fresh herbs and olive oil, well, that’s okay because now the toasted bread is considered to be an antipasto or appetizer. Go figure.

And if the bread service is FOCACCIA, then that’s okay, too – especially if it has fresh herbs or is topped with something like sauteed onions, tomatoes….or, as is often the case in Tuscany, chicken livers. That’s all considered antipasti.

Bread tends to be somewhat regional in Italy, although many breads from around the country are similar and often strike me as a distinction without a difference.

But not all…..

Genoa is known for FOCACCIA GENOVESE, which in addition to often being drizzled with just olive oil and sprinkled with sea salt and fresh rosemary, often comes topped with caramelized onions. YUM!

Bologna is known for lacing their breads with bits of Parma ham and pork sausage.

Further south in Naples, sweetness prevails. Yes, they do produce a version of sourdough, but the main stuff that dominates the pasticcerias or panetterias (bakeries) tend to be sweets and treats – the most popular being SFOGLIATELLAS that are stuffed with sweet cream and cherries.

On the other side if Italy, in Puglia, the “go-to” bread is called ALTAMURA….a one kilo (2.2 pounds) Flintstonian hunk of dough baked in wood-fired ovens. It has the reputation of having a two-week shelf life. Puglia does other interesting breads as well, including PANE CON OLIVA (olive bread, sometimes incorporating nuts or fennel).

Finally in Palermo, Sicily, the north African influence is felt as the Sicilians top several of their breads with sesame seeds…and they add a little honey. Some of their breads are fashioned in the form of an “S.”

Last month, we spent some time in Munich before taking the train across the Alps on our trip down to Rome. The purpose was to explore some German restaurants and dishes….particularly CHOUCROUTE and APPLE STRUDEL for an upcoming SALUT September that will feature dishes from ALSACE LORRAINE….the FRENCH/GERMAN influenced region on the border.

And no surprise, the Bavarian breads are often pretzels, but the preponderance of them are dark, dense, heavy, seedy and incredibly favorable, like Roggenbrot (German rye with caraway seeds) and Westphalian Pumpernickel, which is slowly baked for 12 – 16 hours. The chemical reaction called “maillard” that occurs when baking causes the Pumpernickel to turn dark brown, almost black (American Pumpernickel contains molasses and is not nearly as good. Genuine Pumpernickel is the most German of all breads.)

In my opinion, the breads from the northern European countries are better than those from their southern neighbors, probably due to the fact that wheat does not do particularly well in cold climates and consequently flours are made from coarsely ground grains like rye berries, spelt and einkorn berries.

So now, dear readers I am about to slay a SACRED COW.

And it is this: Contrary to conventional wisdom, bread in Rome and Florence just isn’t very good. In fact I’d characterize the bread in Florence as terrible.

In Rome, the popular bread is called CASARECCIO. It’s a large round loaf made with only white flour, water, yeast and a big pinch of salt. It’s crusty on the outside and spongy soft on the inside. The flavor is utterly unremarkable.

Florence is another matter entirely. I find the bread there to be dry, tasteless and bland. Think styrofoam or cardboard…take your pick.

Why, why? With everything else in Florence and throughout Tuscany so good why on earth would they serve innocuous bread ?

Well, there may be an answer. Some have said that Tuscan cuisine is so rich that there needs to be a counterpoint. A more widely heard explanation has to do with the rivalry between Florence and Pisa hundreds of years ago. At that time SALT was like currency and Pisa, being a seaport city, blockaded the Arno river and did not allow any of the precious commodity to reach Florence. Rather than succumb, Florence may have said “screw you, Pisa” and made their bread without salt. To this day, the PANE TOSCANA (Florentine bread) is made without salt…and without flavor or character. Even the Florentines drizzle olive oil on their bread and salt the hell out of it.

It turns out that Florentine bread has no shelf life at all. But no problem. Restaurants do not throw away old bread. The genius of Tuscan cooking has caused the creation of two wonderful and iconic Florentine dishes made with stale bread: PAPPA AL POMODORO (tomato/bread soup) and RIBOLLITA (cannelini bean, vegetable and bread soup), both thick and delicious, and both meant to be eaten with a fork.

So there you are folks….

Remember…NEVER eat bread with pasta! And NEVER take a “SELFIE” in the SISTINE CHAPEL.



Serendipity is defined as ” the occurrence of events that happen by chance, in a happy or beneficial way.”

Exactly one week ago today, on August 2nd, I posted about the wonderful dinner we had in Boston at LES SABLONS. I recall the beautiful, tasty offerings from James Beard Award-winning chef Jeremy Sewall, the SWEETBREADS VOL-au VENT and the ROHAN DUCK BREAST, as well as the clever and quirky design package that somehow incorporated David Bowie, Grace Jones and Play-Doh.

So, the first part of the definition of “serendipity” is true…”the occurrence of events that happen by chance…”

But “…in a happy and beneficial way?” Well, that just does not fit here.

You see, last Friday – not 24 hours after I posted my rave about Les Sablons – the Boston Globe ran a piece announcing that the restaurant had closed for good the night before. Stop the presses!

It had been open only a little over a year.

For all my decades in this business, how could I have been so “brain dead” that I missed all the clues that everything was not well – things like being understaffed, not having the wine we selected, informing us that certain menu items were unavailable. But NO! Everything that evening bordered on PERFECT. And for a Sunday night, the place was busy and had a nice buzz.

First off, the restaurant is – sorry, WAS – striking and very well designed. The NY-based architectural team of Bentel & Bentel successfully resolved the aesthetic challenges of dealing with a 17-foot wide “bowling alley” type of space. The lighting was at once sultry, flattering….and spectacular. In 2017 Boston Eater nominated Les Sablons for Best Design.

So were there any clues that I should have up at the time?

I do remember that as our server set down the wine glasses, I remarked on their elegance and delicacy, and asked a question (to which I already knew the answer): “Do many of these break during the course of an evening?” She replied, “OMG, you can’t even imagine.”

That’s important because – although I can’t say exactly what brand of wine glasses they used; it could have been anything from Waterford to Schott-Zweisel to Reidel – stemware of that quality runs anywhere from $15 to $60 per glass. I actually said to someone at the table, “We would never use fragile glassware like that.” Do the math: $200 -$300 in breakage PER NIGHT?????

As I have read more about the closing, I learned that Les Sablons’ building had endured decades of neglect prior to the restaurant’s opening. The owners were actually inspired by the dilapidated structure as it reminded them of the run-down, cracked and sooty Paris Metro station after which it was named (check out the image of below).

The rule of thumb that we at Parasole – and most others in our industry – use to determine the viability of a site is that annual sales will have to be double the cost of the buildout. If a restaurant costs $2 million to build, then you’d better have a $4 million concept. If the cost is $4 million, then $8 million in sales has to be realized. And BTW $8 million is flirting with the stratosphere.

So could it be that the dire condition of the building doomed Les Sablons to failure? With all the structural, mechanical, and electrical issues to resolve (maybe asbestos also figured into the mix), creating a restaurant with Les Sablons’ level of fit and finish could have run $4-6 million. Factor in rent and taxes, etc., and maybe they never had a chance.

I just don’t know. I’m not smart enough to figure out what happened to Les Sablons. All I know for certain is that I’m sorry it’s gone.



Once in a while in Paris, one needs to escape the crowds and concrete and seek out an oasis. For Joanne and me, we found our refuge a half-dozen stops away on the Paris Metro #1 line – heading from the Chatelet Metro station toward the Arc de Triomphe, then two stops later reaching our destination: The LES SABLONS Metro station.

We’ve done this stop several times, most recently with our grandkids. And what a treat it is. You’re only a couple of blocks from the beautiful and spacious BOIS DE BOULOGNE GARDENS, home to the stunning, Frank Gehry-designed FONDATION LOUIS VUITTON museum. We always manage to have lunch at the museum restaurant…LE FRANK…. (Check out my February 16, 2017 post: “Blast from the past…Springtime in Paris”).

To top that off, just behind the museum is the JARDIN D’ACCLIMATATION (“Garden of Pleasure”) and its iconic amusement park, complete with a half-dozen outdoor cafes. It’s a great place to spend a Sunday in Paris.

So a few weeks ago when Joanne and I attended the graduation of our grandson, Charlie, in Boston, I was amused that our son, David, had booked dinner reservations at a rather new Cambridge restaurant called LES SABLONS, opened in 2017 in Harvard Square. And BTW, if any of you are dropping off kids for college in the Boston area, read on….read on!

Les Sablons is housed in the historic Conductor’s Building, circa 1912, once a subway facility and respite for the train conductors who worked greater Boston’s earliest subway system.

While our favorite Boston restaurants have always included an eclectic mix…..everything from GRILL 23 to CRAIGIE ON MAIN, TEATRO, FIGS and EAST COAST GRILL, I have to say that Les Sablons is our new favorite. No wonder: At the helm is chef Jeremy Sewell, a James Beard winner as well as a Culinary Institute alum who honed his skills in London under the famous Roux Brothers (think LE GAVROCHE).

The restaurant occupies two floors. The more casual first floor is the Oyster Bar, while the smart second floor is ever so slightly formal – BUT without the fuss! In fact, there’s a lot of quirky wit and whimsy going on.

And of course (me being a sucker for celebrities), I noted that Jacques Pepin and Martha Stewart were patrons. Martha was smiling (so everything must have been perfect – and I mean PERFECT. Or else.).

Well, I have to say that our dinner was, indeed, faultless.

First off, in the event that two of you decide to go to Les Sablons, be sure to request corner table #61. Not only will you occupy the Catbird Seat, but you’ll be directly under the Play-Doh mural with a photo of cigarette-smoking DAVID BOWIE keeping an eye on you…

We started by sharing a dozen raw, fat oysters: four Aunt Dotties, four Fin de la Tables and four Little Guns – all $3.50 each. The Aunt Dotties and Little Guns both hail from the East Coast and are farm-raised. I’m told they’re the same oyster, but with different names. Could be – because they tasted the same. I can’t figure out where the “Fin de la Table” oysters are from. Maybe France? Maybe they’re just called “Fin de la Table” because they’re the last ones the restaurant’s able to sell.

I won’t bug you with a laundry list of our dishes. All – and I mean ALL – were exceptional. But here are a few that simply can’t be ignored. Check out the accompanying images.

Chicken Liver Terrine….with toasted brioche, cherry mustard and crème fraiche…$15

Mushroom Strudel …with black garlic sauce…$14

Porcini Mushroom Agnolotti …with corn fondue, watercress and summer truffles…$32

Veal Boudin Blanc…with mushrooms and Pommes Anna…$32

Roasted Monkfish with green curry broth, bok choy, toasted hazelnuts and littleneck clams…$32

Maine Scallops with white asparagus, lemon parsnip puree and white sturgeon caviar…$42

Rohan Duck Breast with roasted cherries, oyster mushrooms, charred spring onions, fava beans and mint…$39

Lemon Posset…a lemony sort of pudding with olive oil gelato, and toasted pistachios…$10

Chocolate Cremeux …espresso infused with toasted hazelnuts.

Pavlova with passion fruit and bruléed bananas.

So folks, not only is this place really smart and well-designed, but if you go, be sure to notice the lighting. And it has a 4.5 rating from ZAGAT!!

Now I can’t figure out the Play-Doh art, but it sure is fun and amusing. Nor do I understand the David Bowie thing, but it’s also fun, albeit a little strange…but in a good way.

But hovering above our table was a giant black-and-white image of a menacing – and not very happy – Grace Jones. She was a little scary glowering down at us (Really, W.T.F.?). Not certain why…but we made sure that we cleaned our plates.